Humanist modernity, presented in collaboration with the National Institute of Architecture and Urban Planning in Poland, showcases the work of Stanisława Sandecka-Nowicka and Maciej (Matthew) Nowicki, two significant figures in the history of American and Polish architecture. Named for a concept developed in the 1940s by architects Maciej (Matthew) Nowicki and Stanisława Sandecka-Nowicka, Humanist modernity explores their vision of modernism as a human-centered approach to design—one concerned with understanding who a building is really for, and how it binds a human being to the space around them. The exhibition follows this idea across their work and asks what their architecture offers us today.
The first exhibition to present the Nowickis as equal partners in a shared body of work, it explores a practice that bridges drawing, building, graphics, and structure, across Europe, America, and India. While Nowicki died tragically at age 40 when his plane crashed as he returned from a job site in India, several years later Sandecka-Nowicka went on to become the first woman in the United States to be appointed as a full professor of architecture when she was appointed as such at the University of Pennsylvania in 1963. She taught fundamental design principles until her retirement as Professor Emeritus in 1977 and received the American Institute of Architects medal in 1978 for her lifelong influence on the profession.
Curator: Kacper Kępiński, Deputy Director of the National Institute of Architecture and Urban Planning, Warsaw, Poland
Humanist modernity, presented in collaboration with the National Institute of Architecture and Urban Planning in Poland, showcases the work of Stanisława Sandecka-Nowicka and Maciej (Matthew) Nowicki, two significant figures in the history of American and Polish architecture. Named for a concept developed in the 1940s by architects Maciej (Matthew) Nowicki and Stanisława Sandecka-Nowicka, Humanist modernity explores their vision of modernism as a human-centered approach to design—one concerned with understanding who a building is really for, and how it binds a human being to the space around them. The exhibition follows this idea across their work and asks what their architecture offers us today.
The first exhibition to present the Nowickis as equal partners in a shared body of work, it explores a practice that bridges drawing, building, graphics, and structure, across Europe, America, and India. While Nowicki died tragically at age 40 when his plane crashed as he returned from a job site in India, several years later Sandecka-Nowicka went on to become the first woman in the United States to be appointed as a full professor of architecture when she was appointed as such at the University of Pennsylvania in 1963. She taught fundamental design principles until her retirement as Professor Emeritus in 1977 and received the American Institute of Architects medal in 1978 for her lifelong influence on the profession.
Curator: Kacper Kępiński, Deputy Director of the National Institute of Architecture and Urban Planning, Warsaw, Poland